• <center><b>Arader Galleries<br>Fall 2019 Auction<br>September 28, 2019</b>
    <b>Arader Galleries, Sep. 28:</b> AUDUBON, John James. Snowy Owl, Plate 121. Aquatint Engraving with original hand color. London: Havell Jr., 1827-1838 from <i>Birds of America.</i> $225,000 to $300,000.
    <b>Arader Galleries, Sep. 28:</b> JEFFERYS, Thomas. <i>The American Atlas...</i> London: Sayer and Bennett, 1776. $65,000 to $90,000.
    <b>Arader Galleries, Sep. 28:</b> RACKHAM, Arthur. Original Illustrations for <i>Jack and the Beanstalk.</i> Pen and ink with watercolor on paper. C. 1913. $60,000 to $80,000.
    <b>Arader Galleries, Sep. 28:</b> AUDUBON, John James. Ruffed Grous, Plate 41. Aquatint Engraving with original hand color. London: Havell Jr., 1827-1838 from <i>Birds of America.</i> $50,000 to $70,000.
    <b>Arader Galleries, Sep. 28:</b> ROESSLER, A. R. Latest Map of the State of Texas. Lithograph with original hand color. New York: Mittendorfer, 1874. $50,000 to $65,000.
    <center><b>Arader Galleries<br>Fall 2019 Auction<br>September 28, 2019</b>
    <b>Arader Galleries, Sep. 28:</b> AUDUBON, John James. American Bison or Buffalo (Male), Plate 56. Lithograph with original hand color. New York, 1845-1848 from <i>Viviparous Quadrupeds of North America.</i> $18,000 to $25,000.
    <b>Arader Galleries, Sep. 28:</b> HOOKER, Sir William Jackson & FITCH, Walter Hood. Victoria Regia. Lithograph with original hand color. London: Bradbury & Evans, 1851. $20,000 to $30,000.
    <b>Arader Galleries, Sep. 28:</b> AUDUBON, John James. Pin Tailed Duck, Plate 227. Aquatint Engraving with original hand color. London: Havell Jr., 1827-1838 from <i>Birds of America.</i> $15,000 to $20,000.
    <b>Arader Galleries, Sep. 28:</b> LEWIS, Meriwether and CLARK, William. <i>Travels to the Source of the Missouri River and Across the American Continent...</i> London, 1814. $7,000 to $10,000.
    <b>Arader Galleries, Sep. 28:</b> AUDUBON, John James. American Black or Silver Fox, Plate 116. Lithograph with original hand color. New York, 1845-1848 from <i>Viviparous Quadrupeds of North America.</i> $18,000 to $25,000.
  • <b>Bonhams, Sep. 17:</b> EARLY AVIATION PHOTOGRAPHY ARCHIVE. Chronicling 20th century aviation from the earliest Wright Brothers images through commercial and military applications. $50,000 to $70,000.
    <b>Bonhams, Sep. 17:</b> SPUTNIK-1 EMC/EMI LAB MODEL, 1957. Full scale vintage test model of the Sputnik-1 satellite, Moscow, [February, 1957]. $400,000 to $600,000.
    <b>Bonhams, Sep. 17:</b> FIRST TELEPHONE CALL TO THE MOON. Partial transcription signed by Apollo 11 astronauts and President Nixon. $20,000 to $30,000.
    <b>Bonhams, Sep. 17:</b> Apollo 11 Beta cloth crew emblem, SIGNED BY THE ENTIRE APOLLO 11 CREW. $8,000 to $10,000.
    <b>Bonhams, Sep. 17:</b> GEMINI 1/8 SCALE MODEL. Rarely seen large-scale contractor's model. $3,000 to $5,000
    <b>Bonhams, Oct. 23:</b> SMITH, CHRISTOPHER WEBB. 1793-1871. <i>Indian Ornithology.</i> [Patna, India]: 1828. $50,000 to $80,000.
    <b>Bonhams, Oct. 23:</b> DUPRÉ, LOUIS. 1789-1837. <i>Voyage à Athènes et à Constantinople, ou Collection de portraits, vues et costumes grecs et ottomans.</i> Paris: Dondey-Dupré, 1825. $60,000 to $90,000.
    <b>Bonhams, Oct. 23:</b> ADAMS, JOHN. Autograph Letter Signed ("J Adams"), [to Dr. Perkins?] while recovering from his small pox inoculation, [late-April, 1764]. $30,000 to $50,000.
    <b>Bonhams, Oct. 23:</b> AUSTEN, JANE. Autograph Letter Signed ("J. Austen"), to her sister Cassandra, 4 pp, "Thursday – after dinner," [September 16, 1813,] Henrietta St. $80,000 to $120,000.
    <b>Bonhams, Oct. 23:</b> AUDUBON, JOHN JAMES. 1785-1851. <i>The Birds of America, from Drawings Made in the United States and Their Territories.</i> New York & Philadelphia: J.J. Audubon & J.B. Chevalier, 1840-1844. $20,000 to $30,000.
    <b>Bonhams, Oct. 23:</b> DODWELL, EDWARD. 1767-1832. <i>Views in Greece.</i> London: Rodwell and Martin, 1821. $20,000 to $30,000.
    <b>Bonhams, Oct. 23:</b> JAMES, JESSE. Autograph Letter Signed ("Jesse W. James"), to Mr. Flood demanding Flood retract spurious accusations, 3 pp, June 5, 1875. $200,000 to $300,000.
  • <center><b>Chiswick Auctions<br>Books & Works on Paper<br>September 25, 2019</b>
    <b>Chiswick Auctions, Sep. 25:</b> Rowling (J.K.) <i>Harry Potter and the Philosopher's Stone,</i> FIRST EDITION, first issue, 8vo, 1997. £15,000 to £20,000
    <b>Chiswick Auctions, Sep. 25:</b> Bible, Italian.- Malermi Bible, woodcut illustrations, folio, Lazaro de Soardi & Bernardino Benali, Venice,1517. £8,000 to £12,000
    <b>Chiswick Auctions, Sep. 25:</b> Germany.- Homann (Johann Baptist). <i>Atlas von Deutschland,</i> engraved half title, hand coloured, 87 double page engraved maps, [folio, Erben, Nuremberg, 1753]. £8,000 to £10,000
    <center><b>Chiswick Auctions<br>Books & Works on Paper<br>September 25, 2019</b>
    <b>Chiswick Auctions, Sep. 25:</b> [Mirk (John)].- <i>Liber festivalis et Quatuor sermons</i> [bound with], [Le Roy (Pierre)] <i>A Pleasant Satyre or Poesie,</i> first edition in English, Widdow Orwin for Thomas Man, 1595, 8vo. £1,500 to £2,000
    <b>Chiswick Auctions, Sep. 25:</b> Antoninus Florentinus (Saint Archbishop of Florence). <i>Confessionale: Defecerunt…,</i> 8vo, Pietro Quarengi, Venice, 15 February 1499. £1,000 to £1,500
    <b>Chiswick Auctions, Sep. 25:</b> Jesuit Letters.- [Froes (Father Luigi) & et al.)] Avvisi del Giapone de gli anni 1582, 1583, 1584…, 1586 [bound with] Avvisi della Cina et Giapone…, FIRST EDITIONS, Rome. £1,000 to £1,500
    <center><b>Chiswick Auctions<br>Books & Works on Paper<br>September 25, 2019</b>
    <b>Chiswick Auctions, Sep. 25:</b> Plutarch & Probus (Aemilius). <i>Plutarchi Cheronei et Aemilii Probi Illustrium,</i> folio, Nicolas de Pratis for Jean-Petit, Paris, 1521. £1,000 to £1,500
    <b>Chiswick Auctions, Sep. 25:</b> Bible.- English. <i>The Byble in Englyshe of the Largest and Greatest volume,</i> elaborate woodcut border, text vignettes, folio, 1541. £1,000 to £1,500
    <b>Chiswick Auctions, Sep. 25:</b> Fore-edge Painting.- Lord George Byron, The Giaour, a Fragment of a Turkish Tale, bound with 10 other titles, 4 plates marked 'Proof.', 1813. £800 to £1,200
    <center><b>Chiswick Auctions<br>Books & Works on Paper<br>September 25, 2019</b>
    <b>Chiswick Auctions, Sep. 25:</b> Manson (John). Twelve by Sixteen Papers of John Mason, a collection of 50 sheets of paper, some watermarked, 12 x 16”, c.1978. £800 to £1,200
    <b>Chiswick Auctions, Sep. 25:</b> Fleming (Ian). <i>Dr. No,</i> FIRST EDITION, original boards, dust-jacket, 8vo, 1958. £700 to £900
    <b>Chiswick Auctions, Sep. 25:</b> Eliot (T.S.) <i>Four Quartets,</i> NUMBER 121 of 290 COPIES, signed by author, 1960. £400 to £600

Rare Book Monthly

Articles - January - 2016 Issue

The Golden Calf – the First Pierre Bergé Sale

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Pierre Bergé (© Pierre Bergé and associates)

The first sale of Pierre Bergé’s collection was a success as it generated 11.7 millions euros. But are the exorbitant prices of these books a good omen for the future of old books?

 

«Yes, the sale was a success and Pierre Bergé is very happy about the results,» confesses Benoit Forgeot, the main expert for the sale. The first of the six auction sales took place at Drouot’s on Friday, 11 December, and the room was so packed it was almost impossible to come in. Many prestigious people attended, including the French thinker, Alain Minc, who is the administrator of the Foundation Pierre Bergé-Yves Saint Laurent, and the controversial Jean-Claude Vrain, involved in the Aristophil scandal—a 800 millions euros bankruptcy over old manuscripts with 18,000 abused investors. Many influential people had left absentee bids while others anxiously waited over the phone or behind their computer screens. Pierre Bergé was in a nearby building, closely following the sale. The atmosphere was good, according to our expert, but it was actually a little tense as a lot of money was at stake. Pierre Bergé, said to be a tough man, was very demanding, especially as far as appraisals were concerned. «He required that they should be quite high,» says Mr Forgeot, «and we had to argue with him over several of them to make them as appealing as possible.» At the end of the day, the 85 years-old businessman, and former companion of the late Yves Saint Laurent, was not disappointed.

 

Results

 

« It is one of the biggest collections in the world,» underlines Mr Forgeot, «and it is very open on various cultures, periods and writers. Pierre Bergé clearly chose his books with care. Furthermore, he granted us, the experts an invaluable favour by leaving us totally in charge of the catalogue.» And what a catalogue! A thick in-folio volume that looks like a Bible, the result of an eight-month full-time job. The auction house of Pierre Bergé is used to important sales, as it was already in charge of the sale of Pierre Beres’ collection that generated some 35 millions of euros a few years ago. But Pierre Bergé’s collection should gather even more. «The six sales altogether should generate around 40 millions,» he says. « We’ve just collected 11.7 millions euros with this first one even though six important books (out of 180) had been retrieved from the sale, including the manuscript of André Breton’s Nadja, which was directly sold to the National Library of France.» There were a few disappointing results, though; including the folio edition of William Shakespeare’s works, which didn’t go over 200,000 euros—a very fair price, indeed. The first edition of Montaigne's Essais was sold for 140,000 euros only. Pierre Bergé was personally unhappy about the 368,000 euros obtained for the first edition of Madame Bovary dedicated by Flaubert to “the master”—meaning Victor Hugo. Coming across the buyer, Jean-Claude Vrain, a few minutes after the sale was over, he told him: “You got it for nothing. If you want to sell it back, I promise I’ll buy it back from you.”

 

Yet, Mr Forgeot is quite satisfied with this result: «Pierre Bergé’s reaction is emotional, we can’t fight it. But it is actually a good price.» Other books sold very well, including the manuscript of Flaubert’s L’Education Sentimentale (470,000 euros), the works of Louise Labé (see previous article—430,000 euros) or Les Fleurs du Mal by Baudelaire (notwithstanding the appraisal of 60,000 euros, it went for 225,000 euros), which was also bought by Jean-Claude Vrain. The first edition of Saint Augustin’s Confessions sold for a very good price too (260,000 euros), and when a gorgeous drawing of Victor Hugo went for 400,000 euros, the audience gave a round of applause. For his part, Jean-Claude Vrain made it clear that he is not retired from business yet. Though said to be ruined, he eventually bought for more than almost 2 million worth of books, shouting his name out loud to the auctioneer as a challenge. He probably had orders from some discreet buyers, and was overheard saying: «I’m still getting hard as wood!»

 

The rich buyers get richer

 

The market is supposedly morose but these incredibly expensive books were sold at very high prices, and the few ones that did not meet the reserve price are already in the process of being sold aside. So, what does such a sale tell us about the market for old books? It might seem a very good omen, but at the same time, the ever-increasing prices of exceptional books go along with the ever-decreasing prices of “ordinary” ones. It is the painful stigma of the general situation: a deep economical crisis that makes the rich richer, and which gives a hard blow to the middle-class. Under these conditions, old books obviously represent a good investment for wealthy people—well, at least the exceptional ones. «Whereas exceptional books become more and more expensive, the ordinary ones get less and less expensive,» commented Mr Forgeot. He then quotes several sales that recently made impressive results, such as Sotheby’s Pirie sale in New York (15 millions) or Christies’ in Paris (3 millions). «You must make the difference between the “learned buyers”, who buy old books that are not available otherwise, and the collectors. The first ones used to buy ordinary books because they wanted to read them. Booksellers would organise the rarity of these books to maintain high prices.”

 

The Internet revolution has freed these buyers from the yoke of their suppliers. Indeed, a quick search on the Addall website, for example, will demonstrate that most old books are not that rare. “These buyers have stopped buying books at over the top prices,” says Mr Forgeot. “They buy reprints or they read on-line, and this is hurting the market of ordinary old books. But the collectors, who are interested in exceptional copies, buy more than ever.” So, who are these “collectors”? “People who do not buy books, but objects. They don’t necessarily read their books, but they simply buy icons. In this regard, the more our world becomes virtual the more these icons become valuable.” Mr Forgeot here quotes an unexpected example: the success of Aristophil. Beg your pardon? “I’m not talking about the scandal here, but about their former exhibitions of old manuscripts. The one of the French writer Romain Gary, for example, was twice extended when hosted in 2010! To be truthful, I love Romain Gary, but I would not have bet a dime on this project. It shows that people are now longing for this kind of relationship with art.” Does it mean that people queue in front of exhibitions just like the Romans queued in front of the temples of their divinities? It has always been a touchy subject; but if Mr Forgeot is right, then bibliophilism will soon be nothing but idolatry. This would be quite ironic, if books, which took Man out the dark cave of ignorance and superstition, should become the objects of Man’s pagan worshipping. No wonder they will get more and more expensive, then. The calf of the Jews was not made of clay, was it?

 

Pierre Bergé, who used to call his antiquarian books his “best friends”, confesses, in one of the promotional videos for the sale that he did not read them, out of “respect”. Just like princesses during the days of courteous love, books are worshipped, but hardly honoured. What’s the use, then, to get “hard as wood”? Mr Forgeot is an optimist, and he rejoices. He who loves building up catalogues and talking about books and their authors, sees a bright future ahead, full of learned booksellers who will explain books, describe them with passion... to impotent (but rich) buyers of pagan icons? Hallelujah! Or should we say, Hallelu-aristophil?

 

(c) Thibault Ehrengardt

Rare Book Monthly

  • <b>Forum Auctions: Fine Books, Manuscripts and Works on Paper. September 26, 2019</b>
    <b>Forum Auctions, Sep. 26:</b> Joyce (James). <i>Dubliners,</i> first edition, signed presentation inscription from the author, 1914. £100,000 to £150,000
    <b>Forum Auctions, Sep. 26:</b> The Beatles.- Baker (Geoffrey.) 3 Autograph Letters and 1 Autograph Card signed to Ann Gosnell, addtionally sgn’d by George Harrison, John Lennon, Cynthia Lennon and others, 1968. £5,000 to £7,000
    <b>Forum Auctions, Sep. 26:</b> Pilgrim Press.- Dod (John). <i>A plaine and familiar exposition of the tenne commandements ...,</i> [Leiden], [William Brewster], 1617. £15,000 to £20,000
    <b>Forum Auctions: Fine Books, Manuscripts and Works on Paper. September 26, 2019</b>
    <b>Forum Auctions, Sep. 26:</b> Automaton Chess Player & Mechanical Illusion.- Reynell (H., printer). “The Famous Chess-Player, No.14, St.James's-Street, next Brooks's,” broadside advertisement for "The famous Automaton", [1784]. £2,000 to £3,000
    <b>Forum Auctions, Sep. 26:</b> Clemens (Samuel Langhorne). <i>Life on the Mississippi,</i> first English edition, signed presentation inscription from the author, 1883. £8,000 to £12,000
    <b>Forum Auctions, Sep. 26:</b> Arctic Sledge Flag.- Fulford (Reginald Baldwin). Sledge flag... HMS Discovery, 1875. £4,000 to £6,000
    <b>Forum Auctions: Fine Books, Manuscripts and Works on Paper. September 26, 2019</b>
    <b>Forum Auctions, Sep. 26:</b> Rowling (J.K.) <i>Harry Potter and the Philosopher's Stone,</i> first edition, first printing, 1997. £20,000 to £30,000
    <b>Forum Auctions, Sep. 26:</b> Piranesi (Giovanni Battista). <i>Le Antichità Romane,</i> 4 vol., 1756. £20,000 to £30,000
    <b>Forum Auctions, Sep. 26:</b> Canaletto (Giovanni Antonio Canal, called). <i>Urbis Venetiarum Prospectus Celebriores,</i> 3 parts in 1, Richard Ford's copy, Venice, Giovanni Battista Pasquali, 1751. £10,000 to £15,000
    <b>Forum Auctions: Fine Books, Manuscripts and Works on Paper. September 26, 2019</b>
    <b>Forum Auctions, Sep. 26:</b> Atlases.- Speed (John). <i>A Prospect of the Most Famous Parts of the World,</i> bound with <i>The Theatre of the Empire of Great Britaine,</i> 1631-27. £12,000 to £18,000
    <b>Forum Auctions, Sep. 26:</b> Anatomical illustration.- Aselli (Gaspare). <i>De lactibus sive lacteis venis... dissertatio,</i> first edition, Milan, Giovanni Battista Bidelli, 1627. £20,000 to £30,000
  • <b>Swann Auction Galleries Illustration Art:</b> Eric Carle, <i>The Very Hungry Caterpillar,</i> hand-painted collage. Sold for a record $20,000.
    <b>Swann Auction Galleries Illustration Art:</b> Charles Addams, <i>Couple passing a giant bird house,</i> watercolor cartoon for <i>The New Yorker,</i> 1948. Sold for $16,250.
    <b>Swann Auction Galleries Illustration Art:</b> Miriam Troop, <i>Rain on Laundry Day,</i> oil on canvas, cover for <i>The Saturday Evening Post,</i> 1940. Sold for $40,000.
    <b>Swann Auction Galleries Illustration Art:</b> Rockwell Kent, <i>To All Fascists,</i> ink broadside for The League of American Writers, circa 1937. Sold for $6,500.
    <b>Swann Auction Galleries Illustration Art:</b> Jo Mielziner, <i>Pet Shop Drop,</i> backdrop design for <i>Pal Joey</i> on Broadway, 1940. Sold for a record $55,000.
    <b>Swann Auction Galleries Illustration Art:</b> Lee Brown Coye, acrylic cover illustration for the 25th anniversary of <i>Weird Tales,</i> 1944. Sold for $18,750.
    <b>Swann Auction Galleries Illustration Art:</b> Virgil Finlay, <i>The Outsider & Others,</i> pen & ink dust jacket illustration for H.P. Lovecraft's book, 1939. Sold for $5,500.
    <b>Swann Auction Galleries Illustration Art:</b> Al Hirschfeld, <i>Paul Robeson as Othello,</i> illustration for <i>The New York Times,</i> 1942. Sold for $68,750
    <b>Swann Auction Galleries Illustration Art:</b> Frederic Remington, pen & ink illustration for <i>A Scout with the Buffalo Soldiers</i> in <i>The Century</i> magazine, 1889. Sold for $17,500.

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